Der japanische Anime-Regisseur Masaaki Yuasa ist unter Fans für seine atemberaubenden Animationen, gleichzeitig aber auch für seinen absolut. Masaaki Yuasa. Japanischer Anime-Regisseur und Animator. https://de.myyaletown.com TV-Termine der nächsten Wochen mit. Masaaki Yuasa (jap. 湯浅 政明, Yuasa Masaaki; * März in der Präfektur Fukuoka, Japan) ist ein japanischer Anime-Regisseur und Animator.
Masaaki YuasaRegisseur Masaaki Yuasa, der unter anderem für "Devilman Crybaby" bekannt ist, verkündete vor Kurzem, dass er am März von seiner. Der japanische Anime-Regisseur Masaaki Yuasa ist unter Fans für seine atemberaubenden Animationen, gleichzeitig aber auch für seinen absolut. Im Fantasy-Abenteuer des innovativen Anime-Regisseurs Masaaki Yuasa verbindet sich spritzige Musik mit witziger Optik zu einem sprudelnden Filmspaß mit.
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As a director, his projects almost seem unhinged in their commitment to style and emotional reality. In short, a Masaaki Yuasa project genuinely looks, sounds, and feels like nothing else.
While he cut his animating teeth in the '90s on various projects, it's as a director that Yuasa really shines. His creations are wildly varied: He's made everything from gore-drenched action-horror anime series to legitimately heartwarming children's movies, but his unique sensibilities always shine through regardless of the genre.
Yuasa's served as a director for over a dozen projects, with varying degrees of creative control past that. But in considering all those years of work, there are bound to be some misfires among the masterpieces; with that in mind, here are Masaaki Yuasa-directed projects ranked worst to best.
Masaaki Yuasa's first official project as a director was the pilot for Vampiyan Kids , which follows a boy named Kou who stumbles into a haunted manor where a young vampire girl named Sue lives with her vampire father and witch mother.
Although his animation style is visible in some of his earlier projects — notably, My Neighbors The Yamadas, a somewhat lesser-known Studio Ghibli film — Vampiyan Kids is the birth of the Yuasa style as we know it.
The plot is really an excuse to pack in as much physical comedy as possible, from the Inspector Gadget -like vampire hunter to Sue's constant attempts to keep her father from eating Kou.
There are some excellent visual moments in the pilot, especially as the vampire hunter sprints through an entire floor of the haunted castle in order to leap onto the back of his flying dog robot.
However, the plot's too rushed, and the characters too light; Yuasa's best work happens when the characters are almost as unhinged and wild as the art style.
Finally, while it isn't necessarily Yuasa's fault, it's a shame that the Vampiyan Kids show that emerged from the project barely even resembles the look and feel of Yuasa's minute pilot.
All the weird edges and grotesque humor of the pilot was replaced with a fairly standard Dr. Slump ripoff in the actual series.
All together, Vampiyan Kids is a project that's most likely to be of interest to diehard fans, but it's not a good entry point for anyone looking to understand Yuasa's unique appeal.
Adventure Time might not be the first place you'd think to find an original Masaaki Yuasa animation, but there he was anyway in the season six episode, "Food Chain.
However, the story behind Masaaki Yuasa's Adventure Time guest spot is almost better than the actual episode.
Minty Lewis, a storyboard artist on Regular Show and the voice of the caterpillar in "Food Chain," told Newsarama that the episode was almost entirely the brain child of Yuasa alone.
According to Lewis , "It seemed like they put a lot of trust in Masaaki Yuasa to make something amazing without really understanding what he was doing until he was done.
The whole thing wraps up with a song, and Finn and Jake presumably agree offscreen to never discuss the time that Finn married a caterpillar right before she was eaten by birds.
Still, as cool as it is to see Yuasa tackle an American cartoon without having to adjust his style at all, the minute runtime of Adventure Time episodes is a bit limiting.
Yuasa's best work tends to be in projects that have time to breathe in a unique world, and "Food Chain" is just a bit too brisk to rank it any higher.
Mind Game might be Masaaki Yuasa at his most manic, telling a story so fast-paced and strange that it's almost impossible to summarize in a simple way.
Still, we'll give it a try. The story follows Nishi as he reconnects with his childhood crush Myon, experiences jealousy at Myon's engagement to another man, and is then murdered by a yakuza looking for Myon's father.
Nishi wakes up in the afterlife, meets God, comes back to life, murders the yakuza that murdered him in a now alternate timeline, and speeds off in a yakuza's car with Myon and her sister.
It's also sort of a retelling of the story of Jonah and the whale, and also about the sensation of losing the potential you had in youth. While the bizarre plot can be credited to manga author Robin Nishi's source material of the same name, Mind Game has arguably the most trippy and disorienting visuals of Yuasa's career.
Explosions of rainbow watercolors splash out of a couple making love, God can't decide on a shape to wear or Nishi can't decide what God looks like , and the only way to escape a giant whale is to run on the molecules in the air.
Unfortunately, while it feels a bit like the best music video you've ever seen, it's also almost two hours long, with a pacing and plot that seems to delight in confounding and frustrating the viewer.
For anyone on the right wavelength, Mind Game is undoubtedly a delight. For everyone else, it's the slightly more tempered Yuasa projects that will really shine.
One of the core appeals of Masaaki Yuasa's work is the interplay between a kind of ambiguous physicality and an emotional core that seems immovable.
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Edit Did You Know? Personal Quote: Whether it's in work or in life, we often feel like we're riding a wave. The phrase "good conditions" ties into that, but waves don't bend to our desires.
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