Ryan Gosling war es, der den Regisseur von DRIVE – Nicolas Winding Refn, auswählte. Es war ihre erste gemeinsame Regiearbeit und der. Ryan Gosling in der Rolle seines Lebens: In dem melancholischen Actionfilm "Drive" spielt er einen Stuntman, der in ein Verbrechen hineingezogen wird. myyaletown.com - Kaufen Sie Drive günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und Details zu einer vielseitigen.
Drive mit Ryan Gosling: 80er-Ästhetik und cooler Neo-NoirIn Drive verliebt sich ein äußerst talentierter Fahrer (Ryan Gosling) in seine Nachbarin. Ohne es zu wissen, setzt er für sie sein Leben auf's. Ryan Gosling in der Rolle seines Lebens: In dem melancholischen Actionfilm "Drive" spielt er einen Stuntman, der in ein Verbrechen hineingezogen wird. Ryan Gosling spielt in„Drive“, dem US-Debüt des dänischen Regisseurs Niclas Winding Refn, einen schweigsamen Fluchtwagenfahrer.
Ryan Gosling Drive Ranking Ról Video'Drive' - Unscripted - Ryan Gosling, Nicolas Winding Refn Januar in den Kinos. Bernie ersticht Cook und taucht später bei Shannon in der Werkstatt Reise In Die Unendlichkeit, welcher gerade seine Flucht vorbereitet. Quarz- oder Automatikuhren besser? Kultur Film Drive mit Ryan Gosling: 80er-Ästhetik und cooler Neo-Noir. 9/22/ · Ryan Gosling in Drive N icolas Winding Refn's Drive is an LA pulp thriller, very brutal, very slick. It arrives here on an eddy of editorial hype; there is . 8/26/ · Rare sighting: Ryan Gosling and Eva Mendes are pictured out driving in Los Angeles together on Tuesday It appeared to be a low-key outing for Ryan who was dressed down in a black T-shirt and a. 5/20/ · The Drive jacket is the Drive jacket because it belonged in the movie, and on Ryan Gosling. Just like you can't show up to a regular dinner date in a Batman cowl or an Indiana Jones hat, you can't. Der Stuntman `The Driver' gilt aufgrund seiner herausragenden Kenntnisse am Steuer als der perfekte Fluchtwagenfahrer. Der Einzelgänger legt keinen Wert auf soziale Kontakte oder zwischenmenschliche Bindungen. Doch das ändert sich, als er seine. Der Produzent Marc Platt kontaktierte Ryan Gosling, indem er ihm erklärte, dass er eine Liste talentierter Menschen erstellt hätte, deren Arbeit ihn inspiriere und. Ryan Gosling definiert Coolness neu in “Drive”, was nicht nur an seiner Jacke liegt. Und er erzählt ganze Geschichten über sein Leben und was er fühlt, lediglich. myyaletown.com - Kaufen Sie Drive günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und Details zu einer vielseitigen. Ryan Gosling Autographed 11x14 “Drive” Photograph from Tristar Signature Series. You get everything exactly the way I received it from Tristar (Note: the redemption code has now been scratched). Ryan Gosling and Eva Mendes are a Hollywood golden couple known for keeping their relationship private. On Wednesday, the reclusive pair were spotted on a rare outing together, as the drove through. Incredible movie. Incredible soundtrack. Incredible acting. In my opinion, one of the best opening scenes in Cinema myyaletown.com: Chromatics - Tick Of The C. Ryan Gosling’s character in the movie Drive is darker than some of his other leading roles and the dark style also seems have influenced his outfits and fashion style in the film. Ryan’s style in Drive still looks even when good when covered in blood in some scenes in the film. So it could be it a cool idea for a Halloween outfit. Directed by Nicolas Winding Refn. With Ryan Gosling, Carey Mulligan, Bryan Cranston, Albert Brooks. A mysterious Hollywood stuntman and mechanic moonlights as a getaway driver and finds himself in trouble when he helps out his neighbor.
Laura Ryan Gosling Drive daher Katrin, Carmen Xbox One Technische Daten. - Ryan Gosling in einer fast körperlosen LiebesgeschichteDieser fährt allein in die Nacht.
Nanu, Xbox One Technische Daten du dir die TV-NOW-App fr Android oder iOS herunterladen! - Avatar Parodie mit Ryan GoslingKönnt ihr mir Tipps geben wo ich Musik downloaden kann? Retrieved December 23, The Mondo Blog. Namespaces Article Talk.
I read a few drafts. I read one as well where he wasn't a stunt driver at all, which was a newer draft — maybe that's the one Hugh Jackman had; I'm not sure exactly.
Basically when I read it, in trying to figure out who would do something like this, the only way to make sense of this is that this is a guy that's seen too many movies, and he's started to confuse his life for a film.
He's lost in the mythology of Hollywood and he's become an amalgamation of all the characters that he admires. When Gosling signed on for the leading role, he was allowed to choose the director, a first in his career.
He said, "It had to be [him]. There was no other choice. When Refn read the first screenplay for Drive , he was more intrigued by the concept of a man having a split personality, being a stuntman by day and a getaway driver at night, than the plot of the story.
Refn took on the project without hesitation. When casting roles in his films, Refn does not watch casting tapes or have his actors audition for him.
Instead, he meets with them, and casts them on the spot if he feels they are right. Scherfig used to babysit Refn when he was a child, and they have become good friends.
But his wife was a big fan of the film and Mulligan's performance, and she urged him to cast her. The character was changed to Irene after Mulligan was cast; Refn said that he "couldn't find any actress that would click with [him] personally".
While working on the film, Refn had some cast and production members move in temporarily with him, his wife and two daughters in their home in Los Angeles.
This included Carey Mulligan  and Hossein Amini, the screenwriter. This enabled them to be immersed in the film. Refn and Amini made significant changes to the original script during this time.
Bryan Cranston plays the role of Shannon. Knowing Cranston had other opportunities, Refn asked the actor how he would like to develop the role.
After not hearing back, Refn called him; Cranston was just then writing the pros and cons of doing Drive for himself. Moved by Refn's interest, Cranston accepted the part.
He was unable to find anyone with the necessary acting talent. After meeting with Hendricks, he decided to cast her as he felt her persona would click with the character.
Albert Brooks plays the foul-mouthed, morose Bernie Rose. When Refn suggested him, Gosling agreed, but thought the actor might not want to play a character who is violent and sullen, or appear in a film that he did not work on himself.
There are six people you could always get to play this kind of part, and I like that the director was thinking outside of the box. For me, it was an opportunity to act outside the box.
I liked that this mobster had real style. Also, he doesn't get up in the morning thinking about killing people. He's sad about it.
Upset about it. It's a case of, 'Look what you made me do. Nino, a key villain, is portrayed by Ron Perlman , one of the last actors to join the cast.
Refn said, "The character of Nino was originally not particularly interesting, so I asked Ron why he wanted to be in my movie when he's done so many great films.
When Perlman said, 'I always wanted to play a Jewish man who wants to be an Italian gangster', and I asked why, and he said, 'because that's what I am — a Jewish boy from New York', well, that automatically cemented it for me.
Finding the role somewhat unappealing, he developed the archetypal character into something more. As soon as I sat down with Nicolas, he explained this universe and world of the story, so we made the character into someone interested in owning a restaurant, someone who made some wrong decisions in his life, ending up in a bad place.
By making 'Standard' more specific and more interesting, we found that it made the story that more compelling. At the director's request, Los Angeles was picked as the shooting location due to budget constraints.
They would work on the script and film all day, then watch films, edit, or drive at night. The opening chase scene, involving Gosling's character, was filmed primarily by Refn within the car's interior.
In an interview, he said he intended for this scene to emulate the feeling of a "diver in an ocean of sharks," and never left the vehicle during the car chase so that the audience can see what's happening from the character's point of view.
With two different set-ups prepared in the car, the director found it difficult to have mobility with the camera, so he would switch the camera to two additional set-ups nearby.
As downtown Los Angeles had been rejuvenated, Refn avoided certain areas to maintain the novel's gloomy atmosphere.
The scene was shot at low angles with minimal light. The elevator sequence was shot without dialogue. A scene like the elevator sequence in Drive , for instance, has no dialogue, just a series of stunning visuals and graphic imagery — that's a prime example of how the film conveys so many ideas and emotions through images rather than words.
What they share is really a goodbye kiss. Irene sees the Driver in a new light. Every movie has to have a heart — a place where it defines itself — and in every movie I've made there's always a scene that does that.
On Drive , it was hard for me to wrap my head around it. I realized I needed to show in one situation that driver is the hopelessly romantic knight, but he's also completely psychotic and is willing to use any kind of violence to protect innocence.
But that scene was never written. As I was going along, it just kind of popped up. In March , Interiors , an online journal concerned with the relationship between architecture and film, published an issue that discussed how space is used in this scene.
The issue highlights Refn's use of constricted space and his way of creating a balance between romance and violence. Using the Arri Alexa camera, cinematographer Newton Thomas Sigel shot the film digitally.
Car scenes were filmed with a "biscuit rig," a camera car rig developed for the film Seabiscuit It allowed stunt driver Robert Nagle to steer the car, freeing Gosling to concentrate on acting.
Budget restrictions were also a factor in this decision. Although many stunt drivers are credited, Gosling did some stunts himself,  after completing a stunt driving car crash course.
Beth Mickle was hired as the film's production designer on Gosling's recommendation; they had worked together on 's Half Nelson. Prior to filming, Mickle supervised a crew of 40, routinely working to hour days.
This was her most expensive film to date, and Mickle felt freer since "there was another zero added to the budget," compared to that of Half Nelson.
Mickle also built a strip club set and Bernie Rose's apartment in an abandoned building. Turning a "run-of-the-mill" Los Angeles auto body shop into a grandiose dealership was one of the most challenging tasks.
Painting the walls an electric blue color, she filled the showroom with vintage cars. While Drive is set in the present day, it has a s atmosphere, underlined by the vehicles, music, and clothes, and by the architecture.
The parts of the city seen in the Valley and near downtown Los Angeles are cheap stucco and mirrored glass; the film excludes buildings constructed more recently.
As the Los Angeles Times pointed out, whenever gleaming buildings are shown, it is because they are being seen from a distance. Refn shot those scenes from a helicopter at night in Bunker Hill, Los Angeles.
Refn chose Johnny Jewel of Desire and Chromatics to score the film. He wanted electronic music and to have it be abstract, on occasion, so viewers can see things from the Driver's perspective.
During Drive ' s climax, " A Real Hero "'s keynote melody, about becoming "a real human being, and a real hero", refrains because that is when the Driver displays both those characteristics.
He definitely got the nuance of the song, and understood what it was supposed to mean, and he wanted to give that emotion to the viewer, that same feeling.
Thinking of music in terms of basic elements, Jewel would tell the director that for certain scenes, it should not have bass since, as an earth tone, it is usually used for a more emotional or ominous part.
Jewel thought the music should be in the upper register and relaxing for the "dreamlike" scene. To help himself with the music composition process, and to conjure up melodies, the producer would highlight many phrases from the novel, then print those words in large font, and hung them on his walls or draw pictures during viewings of Drive.
Although Jewel's music was used in the score, at the last minute the studio hired composer Cliff Martinez to imitate the style and feel of Jewel's bands Chromatics and Glass Candy.
Editor Mat Newman suggested Drive ' s opening credits song: " Nightcall " by French electronic musician Kavinsky. Jewel reworked his unused soundtrack for the film into Themes for an Imaginary Film , the debut album by his side-project Symmetry.
A re-scored soundtrack for the film was produced for the BBC by Zane Lowe for its television broadcast in October The soundtrack included original music from Chvrches , Banks , Bastille , Eric Prydz , SBTRKT , Bring Me the Horizon , The and Laura Mvula.
Drive Original Motion Picture Soundtrack was released on CD on September 27, by Lakeshore Records. James Verniere of the Boston Herald graded it an "A", stating, "The cool crowd isn't just watching Drive ; they're listening to it, too The Drive soundtrack is such an integral part of the experience of the film, once you see it, you can't imagine the film without it.
She stated the album, beginning with non-Martinez songs instead of mixing it up for a more enjoyable listening experience, cost it a star.
That same month, Johnny Jewel, College, Electric Youth, and Cliff Martinez discussed the impact of the soundtrack and film on their lives and contemporary music culture.
Jewel told Aaron Vehling that Drive ' s "blend of sonic and visual nostalgia with a contemporary spin is always deadly.
Prior to beginning principal photography , Refn went to the Cannes Film Festival to sell the rights to Drive and released promotional posters for the film.
The film premiered on May 20, in competition at the Cannes Film Festival. He said,. Over the past 10 days we've witnessed great art and potent social commentary; the birth of the cosmos and the end of the world.
Turns out what we really wanted all along was a scene in which a man gets his head stomped in a lift. They welcome it in like a long-lost relation.
The film was greeted with hoots and howls of joy from the media, with viewers cheering on some of the scenes featuring extreme violence. Drive was screened at the Los Angeles Film Festival LAFF on June 20 at its gala screenings program.
It was among more than feature films, short projects, and music videos , from more than 30 countries, to be shown during the festival.
The site's critical consensus states, "With its hyper-stylized blend of violence, music, and striking imagery, Drive represents a fully realized vision of arthouse action.
It was one of the highest-ranked, and most-featured, films on critics' year-end top 10 lists. It ranked as fourth-best film of the year, behind The Tree of Life , The Artist , and Melancholia on Metacritic's tally of top 10 lists.
The writers for the film magazine Empire listed Drive as their number one film of Brooks' performance, veined with dark humor and chilling menace watch him with a blade , deserves to have Oscar calling.
Movieline ' s Stephanie Zacharek complimented the film's action and wrote that it "defies all the current trends in mainstream action filmmaking.
The driving sequences are shot and edited with a surgeon's clarity and precision. Refn doesn't chop up the action to fool us into thinking it's more exciting than it is.
Her score for the film is 9. In praising the film, he wrote, "Here is a movie with respect for writing, acting, and craft.
It has respect for knowledgeable moviegoers. Anthony Lane wrote in The New Yorker that Drive ' s violence was far too graphic, and this ultimately was a detriment to the film.
Referring to the violence, he said, "In grabbing our attention, he diverts it from what matters. The horror lingers and seeps; the feelings are sponged away.
Maybe once in awhile I've gone too far, but I always believe in finding the right balance. And in 'Drive' he lives on for more and new adventures.
So there you have it - if you were wondering whether or not the ending of the film was to be taken literally, or was some metaphoric death scene, you at least now know how the director sees it.
Indeed, the implications of the film are such that Driver will likely speed off into new adventures, as Refn claims, albeit still stuck in the lonely and isolated existence in which we found him.
The only difference is: he now knows what kind of hero he can be. Do you have any thoughts to share about the ending of the film? Let us know in the comments.
Le producteur, Marc E. Marc E. Le producteur Marc E. Il est triste de le faire. Dans le roman, le mari d'Irene est un Mexicain qui fait partie d'un gang.
La phase de financement dure quatre mois. Manuel Chiche de Wild Side Films accorde une avance sur les droits de diffusion en France, viennent ensuite l'Allemagne et les pays scandinaves.
Le tournage se termine en novembre [ 23 ]. Le chroniqueur A. Car ce que semble raconter Drive , c'est la bonne vieille transformation d'un homme qui perd tout visage humain.
Ne le faites pas! Que pourrait-il faire? Wikimedia Commons Wikiquote. Menu de navigation Espaces de noms Article Discussion.
Pour les articles homonymes, voir Drive et Sang-froid. But then, an REO Speedwagon song came on the radio and Refn told Gosling that Drive would be a movie about a guy driving around L.
However, when the movie first went in front of ratings boards, they were stunned by the scene and forced Refn to cut down the violence.
Blanche was played by Christina Hendricks, but she was originally supposed to be played by a porn star. Despite her prominent billing, Hendricks only appears in a couple of scenes.
However, Ryan Gosling actually did a lot of the driving stunts himself. Before filming, he took part in a crash course in driving stunt cars and aced it so that he could play the Driver in the action scenes as well as the quieter scenes.
In his eyes, the Driver was the hero of a traditionally dark fairy tale.Refn took on the project without hesitation. Retrieved February 20, Preview version Bernie Rose: Where's Nino? Retrieved October 11, Official Sites. Because I believe art Eis Am Stiel 1 Stream always Unfriend Deutsch Stream when There was no other choice. Boston Herald. On Location: Los Angeles. Related Topics Movie News drive.